Frances Palmer creates the most exquisitely charming pottery I've ever seen. She lives and works in Connecticut an hour and a half north of Brooklyn and about two weeks ago I visited her studio.
A little over a year ago, I stumbled upon her work for the first time by seeing this photo and was instantaneously struck dumb by dahlias. Frances grows them herself, along with a host of other delicious flowers, in a cutting garden off to the side of her studio and she picks them periodically to use in photographs of her work. It's hard to verbalize the wit in her pottery, the purposeful imperfections and the undeniable functionality of her pieces. Her vases were made to hold flowers and her cake plates beg to serve a slice. To say that I am a fan is not enough. I'm enamored, enraptured and astounded by what she does.
The afternoon I visited Frances I found her with armloads of flowers, prepping a tablescape she designed for a fancy New York benefit gala the next day. She took the photo above of the small vases we stuffed with tulips, sweet pea and some still wet with garden dew daffodils. It was, honestly, the most inspiring little afternoon I've spent in some time.
Frances' website is a minefield of covetousness (this and this and everything else, too) and Ginny Branch's interview with her really paints a good picture of why she's my top shelf inspiration. Her work inspired me to start throwing my own vases and every time I sit down at the wheel, I realize a bit more of what a marvel she really is.
Frances' website is a minefield of covetousness (this and this and everything else, too) and Ginny Branch's interview with her really paints a good picture of why she's my top shelf inspiration. Her work inspired me to start throwing my own vases and every time I sit down at the wheel, I realize a bit more of what a marvel she really is.
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